Premiere Pro :-
Premiere Pro – Proxy Editing :-
Premiere Pro : Lumetri Enhancements :-
After Effects :-
After Effects : Faster workflows with C4D :-
Audition : Export with Media Encoder :-
Character Animator :-
Adobe Media Encoder :-
It’s exciting times here at Adobe. We just recently announced new features for all our video products!
In a matter of just 4 months the team has worked on new features, new codec support and enhanced some of the existing functions in the apps.
One feature I’ve been looking forward to is the integration between Premiere Pro and SpeedGrade!
With this release, SpeedGrade has fully implemented the Mercury Playback Engine from Premiere Pro, and a brand new workflow between the two applications is being introduced, namely Direct Link. With Direct Link, editors can save a project in Premiere Pro and then open the sequence they were working on directly in SpeedGrade, with no need to deal with interchange formats or any kind of conversion. SpeedGrade then opens the sequence in a familiar timeline that more closely matches how you work in Premiere Pro. You can access all the clip edit points, transitions, and layers, using the same track layout as Premiere Pro.
New native file format support for Cinema DNG, Sony RAW, Phantom Cine, improved MJPG from Canon 1DC, Sony XAVC Long GOP, Panasonic AVC Ultra (Long GOP), 64 bit ProRes decoding (Mac OS X 10.8 or higher only), and support for exporting XAVC up to 4K and AVCi200 is included, and Cinema DNG can be debayered on a supported GPU for even better performance. For the highest resolution, RED Dragon 6K is also natively supported, with full RED color science built in.
Support for Proxy workflows
The new Monitor Overlays feature allows for critical information to be superimposed in both Source and Program Monitors. Designed to be flexible and customizable, editors can select which metadata is displayed and where, so important information such as clip timecode, edit point indicators and marker comments can be seen at a glance and in context.
Multicam workflows have been further enhanced, with easy control over the ordering of angles, and the ability to switch angles on and off, making working with large numbers of camera angles simple. Working with multicam source sequences is also improved, with Premiere Pro now displaying a composite view during the edit, so the multicam view matches the final output, and displays any applied scaling or effects.
Please find more info on Premiere Pro CC here :-
After Effects CC also gets an update this month. I love the new mask tracker and the speed enhancements to the 3D tracker.
Here are a few examples of this in the October 2013 update to After Effects CC, version 12.1:
Please find more details information here :-
Expanded Format Support
Another advantage of Direct Link, is that you can now bring any format supported by Adobe Premiere Pro CCinto SpeedGrade CC. Adobe Premiere Pro leads the industry with native support for virtually all of the major video, image, or audio formats, including new formats like Cinema DNG, Red Epic Dragon (6K), Sony RAW (F65, F55, F5 FS700), Phantom Cine, improved MJPG performance from Canon 1DC, Sony XAVC Long GOP, Panasonic AVC Ultra (Long GOP), 64 bit ProRes decoding (Mac OS X 10.8 or higher only), and support for exporting XAVC up to 4K and AVCi200.
Another thing that our users have been asking for is the ability to create multiple masks within a single look file. Once again: your wish is granted. With the October 2013 release of SpeedGrade CC, users can now add as many masks as they need with the layer stack of their grade and even link them, making it much faster to create, save and copy complex looks. The last point (copying those looks) will be a real time saver for many users, who previously had to copy a group of looks every time they wanted to have more than one mask.
We are also delighted to announce that we have licensed a special SpeedLooks package for the next release of SpeedGrade CC. The package includes a set of 14 camera patches so that you can adjust color spaces quickly when working with different cameras on the same project. The camera patches create a “level playing field” so that any grading or looks you apply on top of them will deliver the virtually the same result – even if they are being used on shots from different cameras. Just one more tool in your color kit to make sure your shots match and look great. SpeedLooks will also include four special creative looks that add instant vibrancy to you image.
Please find more information on the same here :-
Please find more information here :-
Please find more information here :-
During the last Roadshow many had asked me about setting up Premiere Pro and After Effects to import image sequences at a certain frame rate and change the default which is set to 30 FPS.
Heres how you do it Premiere Pro CC :-
Goto Preferences -> Media -> Intermediate Media Timebase
And for After Effects :-
Goto Edit -> Preferences -> Import -> Sequence Footage
Incase you are using After Effects CC and are facing problems with importing DPX sequences then you might want to take a look at this :-
Join Creative Suite video experts for a free, in-depth online webinar series featuring the new Creative Suite 6 Production Premium. These sessions would dive deeper into each component of CS6 Production Premium. Discover how you can easily migrate to Adobe Premiere Pro® from another editor; optimize your hardware for peak performance, gain color correction tips & tricks, and more.
4th October, 2012, Thursday, 11 am to 12 noon
Streamline Production tasks with Adobe Prelude and Adobe Premiere Pro CS6
In this session, an Adobe Expert would cover how to streamline production tasks by using Adobe Prelude for ingesting and logging. You will see exciting new features in Adobe Premiere Pro CS6-the powerful non-linear editing system that sits at the heart of Adobe CS6 Production Premium, connecting all of your media as it flows in and out of post-production. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid editing workflow.
18th October, 2012, Thursday, 11 am to 12 noon
8th November, 2012, Thursday, 11 am to 12 noon
In this final session of the series, an Adobe Expert would cover to how to fix audio in Adobe Audition CS6 and finish the film in Adobe SpeedGrade CS6.
(Webinar access details shall be shared post registration)
Heres a quick tutorial on cleaning up video using After Effects CS6 and Photoshop CS6.